My final series of Field Notes designs are based on the work of American graphic designer Lester Beall, specifically his posters for the Rural Electrification Administration.

The trees of Windmill Hill, a series of three. Images Shot in Gravesend, March 2020.

Originally started to improve my Affinity Designer skills; this series is mainly inspired by specific graphic designs, or designers, I admire.

This third design in my Field Notes series leans very heavily on the work of American graphic designer Lester Beall, specifically his photomontage poster for the Rural Electrification Administration.

This second design in my Field Notes series is based on an updated version of Harry Beck’s 1931 London underground map.

To improve my Affinity Designer skills, I've been working on a series of designs for Field Notes covers. They're mainly inspired by specific graphic designs or designers I admire.

I'm not working today. I didn't want to be off; not that I particularly want to be working either; however, we all want to feel in charge of our own schedule. When you work for someone else, you lose some of that control.

I've been writing in these notebooks for over four years. Most of what I write is the usual notebook fare. What train I need to get tomorrow or a list of things that I should be doing, but aren't. Ironically, one of those things is to write more frequently.

In this notebook, I write all my notes related to film developing. “Why are you showing us this Nigel?” you might be saying. Well despite having this great little book with all my notes and despite having been developing film on & off for 30 years, careless people can still f**k it up.